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Sunday, 29 June 2014

The Millennium Way - Day Three

The Millennium Way
By Mark Walford
Day Three

Route:Long Itchington to Warwick
Distance: 12.2m (19.6km)
Elevation: 157ft (48m) to 358ft (109m)
Climbing (ascent and descent): 554ft (169m) and 594ft (181m)

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Long Itchington: So good I saw it twice ...

A bright early summer morning, lemon sunshine and dappled shade, and I sat on a bench facing Long Itchington's large village green and felt a growing reluctance to leave the place. The soporific droning of bumble bees and the soft chimes of the church clock added to the ambience and I found myself staring across the swathe of grass, in no hurry at all to set off on a twelve mile walk. The days were long at this time of the year and time was on my side; I could have sat there for hours, drowsing the morning away, a nice lunch at a nearby pub, a stroll around the shops. Wishful thinking of course, brought on by an early start to the day and a nice merlot the night before. It took some effort but eventually I mustered up my enthusiasm, performed some warm-up stretches for the amusement of locals on their way to buy the morning papers, shouldered my rucksack, and set forth for day three of the Millennium Way.
I wandered down the high street passing neat rows of cottages and the lovely Holy Trinity Church, took a left turn over a stream, and then crossed a lumpy field of long grass and thistles serving as breakfast for a few straggly sheep who watched my passage with minimal interest. Halfway across, a white van bumped toward me over the uneven ground. I assumed the driver to be the field's owner — or, alternatively, the possessor of the world's worst sat-nav. I nodded as it passed. An arm emerged from the window and gave me a cheerful wave. After the field came a lane, and after the lane came Long Itchington again.
I have studied the map since. I could simply have continued along the high street to reach this point. The paddock, the sheep, and the white van were an entirely unnecessary diversion — a sheep-leg, if you will, rather than a dog-leg. Perhaps it once contained something worth the detour: an ancient monument, a plague pit, or (more practically) a burger van. Now it contained rank grass and indifferent livestock. I re-acquainted myself with Long Itchington's back streets and finally departed for good via a concrete drive leading to White Hall Farm.



Close Encownters of the Herd Kind ...

The trouble was visible from a distance. A stile led into a large pasture. Clustered densely around it, four deep, was a herd of Fresians. They made no attempt to move as I approached, merely turning their large brown eyes toward me with the unhurried composure of animals that have nowhere particular to be and see no reason to accommodate anyone who has.
I cooed at them. I waved my arms. I tried persuasion of various kinds. The herd remained as one body, immovable, a bovine blockade of considerable thoroughness. I could not climb over into them without the strength of Hercules to shift them, and there was no visible alternative route.

Long Itchington

Eventually I found my way into an adjacent yard of sheds and outbuildings, worked along the outside of the shed wall parallel to the pasture, and located a wooden fence through which I clambered with a certain absence of elegance. This deposited me beyond the main herd but directly in front of two young bullocks who fixed me with the specific stare I give to Jehovah's Witnesses who venture up the garden path. They edged sideways. I walked through.
I filmed a brief piece commenting on the cows, noted that the National Lift Tower was still visible to the east — some twenty miles distant now, still marking the horizon — waved my walking pole in the general direction of the Friesians with half-hearted belligerence, and walked into a jungle.
For some time I pushed along a wild and overgrown avenue bordering a field of rapeseed gone to seed, the undergrowth tangled and apparently resentful, the nettles raising itchy welts on my forearms and calves with a thoroughness that suggested personal motivation. A pheasant exploded from the right with its strangled clockwork alarm and relocated my heart momentarily. Damselflies shimmered in the humid air, blue and fragile as lace. Somewhere overhead a skylark was working through its repertoire. My contribution to the scene was occasional swearing.
The marker post I was looking for appeared freshly painted and incongruously smart against its unkempt surroundings, pointing me through a hedgerow into woodland that proved, if anything, wilder than what I had just left. I swished and trampled through chest-high nettles along a path visible only in theory, the trees hung with vines, the ground alive with shade-loving things. The River Itchin wound through it — little more than a stream here, dun brown and dancing with damselflies, the whole secretive place carrying a rich earthy scent that spoke of deep loam and undisturbed time.
Despite the nettle rash developing on my forearms in a pattern that could have been read as Braille, I was a little sorry to emerge the other side. A narrow bridge, a crossing, and more cultivated ground.




Abandoned poles and railways ...

A wide field of barley — I will commit to barley on the grounds that it had long whiskery ears, though I would not put money on this — opened ahead, the crop whispering as I passed through it, and a succession of such fields followed with wide views to the south-west. In that direction, a few miles distant, lay the village of Ufton, where in 2012 I had conducted a memorable conversation about a pair of sunglasses I was wearing on my face while claiming to have lost them, with a publican I had then obliged to take my phone number in case a non-existent pair of prescription reading glasses was handed in.
The Centenary Way had its moments.
Finding myself entirely alone — no farm visible in any direction — I set up the camera for a walk-to-camera sequence in the barley. I arranged the angle carefully, prepared myself, and set off. The footage was rather good: the barley whispering on either side, the larks overhead, the countryside doing exactly what it should. I was quite pleased with it.
Then, in the largest field of the sequence, the Millennium Way came to an abrupt end at a hedgerow. The guidebook indicated I should be on a lane. I retraced my steps some considerable distance before discovering the gap in the hedge — perfectly obvious, in retrospect — that let onto Stonebridge Lane.
The lane wound gently uphill and two cyclists came freewheeling down toward me, enormous grins on their faces, throwing a cheerful hello as they swept past. One of those moments arrived without announcement — the weather, the countryside, the simple pleasure of moving through it alone and unhurried — and lifted everything suddenly and completely. I filmed a short piece that sounded, for once, genuinely euphoric.
Then I noticed the walking pole was not in my hand.
I looked back across the many fields I had crossed. I could just make out the distant hedge where I had filmed the barley sequence. The pole was almost certainly propped against the kissing gate there. It was too far to retrieve. I walked on.
That pole had been with me across Scotland and the length of the Midlands — several hundred miles of shared experience. I was aware that finding the loss of an inanimate object genuinely distressing was not entirely rational. I found it distressing anyway, and fretted about it for the rest of the day.
Ridgeway Lane followed — old hedgerows, a surface that deteriorated from well-laid tarmac to potholed mud to waterlogged ruin, exactly the conditions in which a walking pole would have earned its keep. I edged around the worst of it until an iron bridge appeared, spanning the former railway line between Rugby and Leamington Spa — a rickety old structure

Near Old Hunningham

with warning signs against vehicular use and a drop of eighty feet to the valley floor. Below, the old trackbed was visible as a river of tree-tops, flowing through the countryside in both directions. The Beeching cuts closed this line in the 1960s. The treetops beneath the bridge looked as though they had been there for centuries.
Old Hunningham offered a confusing cluster of signposts that ensured a comprehensive tour of its cottages and squat church before I located the correct Millennium Way track. Hall Meadow Nature Reserve passed without my noticing it. The internet, when I looked it up later, described it as agriculturally improved grassland with small areas of relatively species-poor semi-improved grassland, used for year-round horse grazing.
I saw no horses.
A churned and muddy path brought me to the White Lion inn — reached too early for a pint, which the state of my footwear may have dictated in any case — and then a stone bridge crossing the River Leam. Here the river was quiet and secretive, bordered by willows, cattle wandering its banks in the afternoon heat. I would see it again in Leamington Spa, where it would reinvent itself as something altogether more sociable and on a grander scale.
Sheep pastures followed, one after another, all broadly similar, the walking easy enough to encourage the mind to wander along its own paths without supervision. I have no memory of what I was thinking when I emerged onto a farm track and discovered I was lost again. The guidebook had reached one of its periodic crises of direction — equivocating between left and right and then something else — and I turned right, which seemed closest to the text's intentions. Around a corner: a small field, one horse, a cluster of terraced cottages, and a firmly closed gate blocking further progress.
I returned to the junction. I tried another direction. I came back. I tried the first way again. The horse, by my third visit, had his head tilted and ears pricked in what I can only describe as a questioning expression. Under normal circumstances I would have found this charming - but I was not in the mood to find it charming. In fact I found it faintly sarcastic.
An overgrown avenue that the guidebook appeared to have overlooked entirely turned out to be the correct route. I delivered my assessment of the guidebook's authorship to the camera with some feeling, so apologies to any of its contributors who might stumble across this journal. In my defence I was tired and under duress.
South Cubbington Wood — gloomy, close-grown trees, the particular brooding quality of a small wood that has been left to its own devices — was a brief passage, and then a large rapeseed field with the rooftops of Cubbington appearing beyond it. I sat down on the path's edge, freed my feet from their boots, ate lunch, and then lay back with the rucksack as a pillow and stared at the clouds drifting through the pale blue sky. The rapeseed pods hissed gently in the breeze. Insects droned. I am fairly certain I slept.
A middle-aged couple walking their dogs on a parallel path brought me back to consciousness with a start. I watched them head toward Cubbington, stretched, pulled on my boots, and stood up with the creaking of a man who has been horizontal longer than intended.



Parks and puns ...

Three corners of Cubbington's lanes and the King’s Head pub presented itself. I went in and sat outside with a pint of Abbot's Ale and the view of St. Mary's church across the road. The pub was full of locals who all appeared to know each other, their conversation running to weather forecasts and car trouble in the comfortable circularity of village gossip. A young woman arrived wearing a blue feather boa, a swimming costume, and deely-boppers.
"Don't mind me," she announced to the room. "I've been on a charity run."
Nobody minded. Nobody appeared particularly surprised.
Cubbington has a Domesday entry under the Old English *Cumbynton* — a settlement in a low hollow — and was considerably larger than its neighbour Leamington Spa until the latter's boom as a spa town in the nineteenth century. It now has four thousand inhabitants, a successful silver band that has won the area championship on several occasions, and this, from the annals of local history: the Manor House was said to be haunted by a young girl who starved to death when her mentally ill father locked the family inside and refused all contact with the outside world. Cubbington does not lead with this story, which is understandable.
The high street offered a short row of shops with names that amply justified the detour:
*The Prudent Purse* — a charity shop.
*Cubbington Plaice* — fish and chips.
*Only Foods and Sauces* — speciality foods.
The last of these is my favourite shop name I have encountered on any walk, anywhere.
Beyond the high street I climbed a grassy hill into open farmland — I had expected developed land after Cubbington, and was wrong. A gently rolling landscape of crops and wildflowers extended ahead, a tower block marking the distant edge of Leamington, falling away to the east behind a small wood. A genuinely pleasant surprise. Two Frenchmen came the other way — walkers, which was unusual enough on the Millennium Way to be noteworthy, and French, which was unusual enough in this corner of Warwickshire to be remarkable.
I entered Leamington Spa via Newbold Comyn, a public park that was in private hands for centuries before Leamington Corporation acquired it in the 1960s. The Luftwaffe dropped two bombs on it during the war while returning from Coventry — the craters are apparently still visible — and in 2009 a reported lynx sighting on the golf course earned it brief coverage as the home of the Beast of Newbold Comyn. The golf course I crossed without incident, which I consider an achievement worth noting given my historical relationship with golf courses on long walks.
Beyond it, a wide cinder track opened into a sequence of parks and leisure grounds along the River Leam, alive on this summer afternoon with dog-walkers, frisbee-throwers, cyclists, roller-skaters, footballers, and the general cheerful noise of people making the most of the sunshine. Ice cream vans were doing excellent business. After so many miles of quiet fields the company of crowds was genuinely welcome, and I moved through it all feeling pleasantly anonymous.

A juxtaposition of town and country

I reached the Newbold Comyn liesure centre, a place that was the epicentre of a major sense-of-direction incident I experienced (2012 Centenary Way) where I had visited, and then endlessly re-visited this building in a vain attempt to sort out my bearings. Thankfully this afternoon I had a much easier path to tread, passing the liesure centre by to continue on along a road lined with mature trees, heading for the River Leam and the entrance to Jephson Gardens. I came to the river by crossing a large stone bridge and I peered over its parapet at the wide green waters of the Leam. No longer the modest little waterway I had met earlier in the day it now played host to laughing family groups seated in pedaloes shaped like Noddy cars that steered uncertain paths from bank to bank.
Jephson Gardens arrived in due course — fountains playing, wrought-iron benches along the paths, the quarter-hour chimes of the clock, the commemorative monuments to various worthies of Leamington's past. The last time I had passed through it was on a quiet September Sunday morning during the Heart of England Way. Today it was full and busy and entirely different. I walked through the ornamental arch at the eastern end and into the Pump Room Gardens — once restricted to patrons of the Royal Pump Rooms "to afford them pleasant promenades." However in 1875 the gardens were opened to the public. The gardens originally contained decorative flower beds but with the decline in fortunes of the Pump Rooms these have been grassed over, although the nineteenth century bandstand has been preserved and is still used by brass bands on occasion. The gardens host the annual Leamington Peace Festival, an annual fun fair, a farmers market once a month, and on the occasion of my visit, a Punch & Judy show. This park is little more than a wide grassy place in the centre of the town but still draws people in search of fun, whiling away a sunny Sunday afternoon before embarking on another week of nine-till-five. Around it, the business of Leamington continued, albeit at a Sunday pace, as shoppers browsed its high street and buses rumbled by.
Formerly known as Leamington Priors it became Leamington Spa in 1838 after a visit by Queen Victoria, establishing itself as one of the nation’s burgeoning royal spa towns. Leamington’s spa waters were rediscovered and commercialised in 1784 by William Abbotts and Benjamin Satchwell although the Romans had known about them long before. The spa became a runaway success and the town experienced a population explosion as a result. By 1901 the denizens of Leamington had grown from a few hundred to nearly 27,000. The economy of Leamington decreased towards the end of the 19th century following the decline in popularity of spa towns. These days it's a popular destination, like Kenilworth and Warwick, for Brummie retirees, and the professional middle-class. Strangely it’s also a hub for the video games market with many of the top

Leamington Spa

Games Houses based nearby. I looked for, but failed to find, the statue of Queen Victoria raised here to commemorate her visit. Apparently the statue was almost destroyed by a German bomb during World War II, and was moved one inch on its plinth by the blast. The statue was not returned to its original position so Her Majesty remains permanently skew-wiff, as a plaque on its plinth explains.
Leamington has been featured in a number of television series, including the 1990s BBC situation comedy Keeping Up Appearances. The occultist Aleister Crowley was born in Leamington as was Randolph Turpin, world champion boxer. Russell Howard, comedian and performer currently lives in the town. Bizarrely Napoleon Bonaparte also lived in Leamington Spa, as an exile between 1838 and 1839.
I continued along the Pump Room gardens, crossing a small footbridge to continue along the banks of the River Leam, passing into Victoria gardens, the fourth and final park in this sequence, stopping for a moment to film the rear of the imposing office building where I had worked for a short while, before continuing on into the grounds of the park. Victoria Park can lay claim to being the spiritual home of Crown Green bowling in the UK and is also one of the birthplaces of Lawn tennis, being one of the first in the country to establish a club. Up until the 1830s the park was just part of farmland on the edge of the growing spa town. Then the ubiquitous Willes family began to hold archery competitions on the land, starting its transformation into a leisure area. In the middle of the nineteenth century Leamington Cricket club made their first home there and in the 1860s the New Riverside Walk was opened. The park was extensively landscaped and redesigned in 1899 to celebrate the Diamond Jubilee of Queen Victoria. It also hosted the Royal Show before it moved to its current venue in Stoneleigh Park. The bowling greens are amongst the best in England hosting the English Women's Bowling Championships annually as well as Women's World Bowling Championships in 1996 and 2004.
Again this was a place busy with people, including Crown Green Bowlers dressed in their dazzling whites, and I ambled along without a care in the world. I had convinced myself that the route through Leamington Spa was simply a reversal of the route I had taken on the Centenary Way and only at the viaduct after Victoria Park would I have to consult my map to determine how to get onto the canal for the final stretch of the days walk. I moved through it without consulting the guidebook, on the comfortable assumption that I knew the Leamington route from previous experience on the Centenary Way.
I did not, in fact, know the Leamington route. I was wrong about this in a quiet, confident way that would cost me time. At the viaduct beyond Victoria Park I sat on a bench, pulled out the guidebook, and read that I needed to retrace my steps all the way back to Jephson Gardens to pick up the correct route to the canal. I sat with this information for a moment.
I had just walked rather a long way in the wrong direction through a series of very attractive parks.




Backtracking rather than backpacking ...

A woman with a border collie was practising frisbee acrobatics nearby — dog catching the disc mid-air with real elegance, both of them clearly experienced — and I watched for a few minutes while I worked out my options. A short cut across the park toward the canal seemed theoretically possible. But theoretical short cuts on this walk had a consistent track record, and I had already paid for one navigational assumption today. I went back the way I had come.
The return through the parks was less enjoyable at pace, the jolly crowds now more obstacle than company, the leaden feeling in the legs asserting itself after the best part of ten miles. I stood again before the gates of Jephson Gardens and followed the guidebook through a zigzag of commercial districts before the towpath of the Grand Union Canal appeared — familiar from earlier sections of the Millennium Way, reliable in the way that canals are: pointed in the right direction, two miles to the car. As I set off along the towpath a thought occurred to me with unpleasant timing: I had parked the car based on what I believed to be the correct route, and the correct route had already proved itself to be not quite what I thought. The car might not be where I was heading. I pushed this thought aside and walked.

Final stretch of the Grand Union canal

Half a mile along, a side gate opened and the woman with the frisbee collie appeared on the towpath. She gave me a slight double-take — possibly recognising me from the park, possibly simply registering a moderately dishevelled man appearing from the direction she had just come. The dog offered no sign of recognition either way. They walked on. I had just proved there was indeed a more direct route between Victoria Park and the canal, and I had taken the longer one to find this out.
The towpath was quiet, a welcome contrast to the parks. Birdsong came back. A few moored narrowboats, apparently unoccupied. The architecture on either side described the gap between two towns in reliable sequence: shops, business parks, posh houses, old houses, fields, old houses, posh houses, business parks, shops.
On the Leamington side, newly built apartment blocks opened directly onto the towpath — courtyard gardens, block paving, wrought-iron lamp posts. The remnants of old factory wharfs appeared further on, their crumbling stonework carrying the memory of coal and iron delivered by water rather than road.
An old fellow came the other way.
"Sunny day for you," he observed as he passed.
He was, I realised, the first person I had actually spoken to since the barman in Cubbington. This is the specific texture of solo walking that no other kind of walking produces — the conversation you didn't have, noted only when someone breaks the silence.
Bridge 49. The canal walk over.
As I sat in my car drinking blood-temperature Lucozade Sport I kept an eye on the houses I had parked in front of. There had been a degree of curtain-twitching when I had pulled up in the morning and, even though I was legally entitled to park my car in this spot, I half expected an indignant resident to fling open a door or window to 'have a word'. However nobody stirred and I finished my drink unmolested.
Day three: done.

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Sunday, 1 June 2014

The Millennium Way - Day Two

The Millennium Way
By Mark Walford
Day Two

Route: Upper Boddington to Long Itchington
Distance: 12.5m (20km)
Elevation: 230ft (70m) to 614ft (187m)
Climbing (ascent and descent): 540ft (164m) and 748ft (228m)

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A man outstanding in his field …..

Starting a day's walking by taking an immediate wrong turn sets a certain tone, and I achieved this within the first five minutes. The directions told me to walk along Frog Lane at Upper Boddington, which I did — down through the small cluster of cottages along the main road — only to discover that Frog Lane forms a crescent, and it was the other end I should have taken. Ten minutes of my life, and a climb back up the hill, were expended before I had properly started.
As I turned away from the village a group of Lycra-clad cyclists swept through at considerable speed, riding two and three abreast with the cheerful disregard for oncoming traffic of people who have decided that their morning matters more than yours. Their leader was a florid, heavily built man with an unusually loud and carrying voice, addressing the rider behind him in the register of a politician with a megaphone. The monologue continued well after they had disappeared around a bend, the booming of it receding into the distance like the last echo of an over-emoting actor. I was glad not to be part of that group. Five miles of that at volume eleven and the hedgerows would be receiving him, complete with bike and a well timed kick.
A kissing gate led to a narrow footpath, heavily shaded by tangled hedgerows and, following recent rain, ankle-deep in mud. I had left my gaiters at home, which was a decision I was already regretting. When the path opened into more generous ground I stopped to record a video — mindful of my commitment to project a sunnier disposition than had been evident on Day One — and managed to discuss the mud and the likelihood of further rain without grumbling. It was an effort dear reader. I note it for the record.

Looking back towards Upper Boddington

The first fields were brown and barren, the stalks of some previous harvest protruding like designer stubble across the turned earth. I was working out the route directions, immobile for some time, when a woman passed me with two beagles.
"Are you alright?" she asked, with a trace of concern.
I confirmed that I was, and she moved on. I reflected, not for the first time, that a man standing completely motionless and alone in a field with a guidebook tends to generate a particular quality of attention from passers-by. The concern deepened somewhat over the next few fields, as I appeared to be following her — passing her on the second field, drawing her beagles away with me on the third. We parted at a stile to our mutual, if unspoken, relief.
I am not entirely sure what most farmers grow in their fields. Rapeseed is identifiable because it is yellow and makes me sneeze. Everything else is, broadly, Stuff: tall Stuff, short Stuff, green Stuff, brown Stuff. I crossed a field of lush tender-green Stuff and then a field of tall slender Stuff that I decided was probably barley, and reached a metal gate where, finding myself alone, I decided to film a walk-to-camera shot. I attached the camera carefully to the gate, lined up the angle, and was about to set off across the field when a gate creaked beyond a nearby hedgerow and a jogger appeared around the corner as if from nowhere.
He was tanned, lean, and sinewy, dressed in small blue shorts and running shoes and carrying a limp t-shirt in one hand. A faint sheen of effort covered him. "Warmer than I thought," he confided pleasantly, and loped off across the field.
I waited for his half-naked form to disappear before resetting the camera. My concentration, however, had departed with him, and the resulting footage shows me striding toward the lens with considerable purpose while a clump of cow parsley takes centre stage and eclipses me entirely.




Landmarks and diversions ...

A tower had been visible to the east since mid-morning, appearing through breaks in the trees or above an open field at intervals — too substantial for a radio mast, too unusual for an industrial chimney. Concrete rather than steel, four hundred feet or thereabouts (I correctly estimated), tapering slightly toward the top. I had no explanation for it while I walked. Research at home later identified it as the National Lift Tower — formerly the Express Lift Tower, known locally as the Northampton Lighthouse — a lift-testing facility built in 1978, opened by the Queen in 1982, and at four hundred and eighteen feet the only lift-testing tower in Britain and one of only two in Europe. It fell out of use in the late 1990s, was revived as a testing facility in 1999, and now doubles as a platform for people who enjoy abseiling off very tall buildings, which is a use I had not anticipated. It has already been awarded Grade II listed building status, making it the youngest listed building in the country. None of this I knew at the time. I just found it interesting to look at.
With the tower marking the eastern horizon and the landscape rolling west in the other direction, I walked a pleasant stretch of high ground and let my thoughts wander with the kind of undirected freedom that solo walking produces at its best. The mild disadvantage of this state is that it can carry you some distance past a turning without any internal alarm being raised. I became aware that the village of Priors Hardwick was not where the guidebook implied it should be, and that the directions no longer corresponded to what was in front of me. A short investigation established that the Millennium Way had turned east, toward the tower, while I had continued south into the village.
As it turned out, I didn’t mind. Priors Hardwick turned out to be a place worth the detour — a succession of fine properties, each more impressive than the last, culminating in the Old Rectory: a building of mansion-like proportions set behind sweeping drive and iron gates, the kind of house that one admires while privately working out what the heating bill might be. I emerged at a crossroads, turned left along a lane, and rejoined the Millennium Way at a stile into a large meadow.
The booming voice found me there.
The cyclists from Upper Boddington were hurtling along the lane behind me — their leader still in full conversational flight, still at volume eleven, his fellow riders still inserting the occasional *right I see* and *oh yes?* into the gaps. They disappeared around a bend with the purposeful momentum of migrating geese, and the morning settled back into quiet.
I was crossing the next large field — commenting to the camera on the humidity of the day despite a fresh breeze, and noting with some satisfaction the absence of cows all morning — when I reached the gate at the far end.
There were cows. A large herd of them, with calves, two-thirds of the way across a very large field. A sign on the gate advised caution, which I noted and climbed over, working out the best approach. Within twenty paces the herd took fright and thundered to the exact corner of the field where my exit stile lay. I walked toward them slowly, hoping they would redistribute themselves. They tossed their heads. They pawed the ground. Thirty yards away, with a lot of open field behind me, I raised my arms and walked backwards, as advised by articles dedicated to the avoidance of bovine murder.
The map showed a track down an adjacent field leading to a farm drive and a road. I took it, willingly, only to discover there was no track — just waist-high grass with roots that grabbed at the ankles. The farm, when I reached it, offered not a stile but a low stone wall and a metal gate opening directly into the farmhouse yard. I climbed the gate, crossed the yard with the forced nonchalance of someone who knows he is not trespassing but nonetheless feels like a trespasser , found my way through to the farm drive, and followed it out — past a shooting school that appeared on no map and explained the intermittent loud bangs I had been hearing — where a young man in tweeds with a broken shotgun across his forearm kindly pointed me toward a gap in the hedge and the public footpath beyond.
Which led me back into the field with the cows.
They had at least moved. I crossed quickly along the lower edge, one eye on the herd on the skyline, and pushed through two more pastures at a pace that gave me a stitch mid-field. I stopped, breathing carefully, a sitting duck — and tried not to think too hard about the shooting school's proximity.



Bridleways and Barges ...

With quiet relief I finally escaped the endless dung-strewn pastures and made my way into the hamlet of Priors Marston which felt like a small reward: a cluster of cottages, a crossroads, a granite war memorial listing the names of men who had left the village for a war overseas and not come back. A bench nearby offered rest. I sat with the birdsong coming from every direction and noted it on camera and was, for a few minutes, entirely content.
My stomach was growling but it was too early for lunch, so I shouldered the pack and followed the path through a gap between modern houses and a cul-de-sac of lock-up garages. From the rear of a nearby property a domestic disagreement was underway, its details unclear from a distance, becoming clearer as I crossed a horse paddock behind the back gardens.
"I'm not SCUM!" announced a man's voice, with considerable conviction.
I walked on, leaving the unresolved conflict behind.
A bridleway opened ahead, running through an avenue of silver birch and cow parsley. I have always thought well of bridleways — they are the motorways of rural walking: direct, uncluttered, free of the broken stiles and illegal barriers that characterise the lesser paths. I set off along this one with pleasant anticipation.
Horses use bridleways. Horses with large iron-shod hooves that churn the ground before the rain soaks in. The surface beneath me became porridgy and then openly, comprehensively muddy. I edged along the margins of the track with my walking pole testing each step, making slow progress. The mud gradually adorned my cream trousers to knee height.
Halfway along, through a gap in the birches on the left, a still pond appeared — lined with rushes, entirely secluded, with the specific quality of a place that has not been looked at for a long time and is entirely comfortable with that. Two swans posed on the far bank with the composed self-possession of birds who know exactly what they add to a scene. It was a hushed and beautiful little tableau. I filmed it and said nothing on the video, which was the right decision.
By the time I reached the end of the bridleway my trousers, much to my mortification, had achieved a condition that would have been difficult to explain even to a sewage worker.
Grassy meadows tumbled downhill before me, and Napton Hill rose in the middle distance, its village scattered across its flanks in the untidy, organic way of settlements that predate careful civic planning. A road between fields of black-horned cattle that put me in mind of Spanish fighting bulls. I was not a matador and I was content with the hedge between us.
Napton-On-The-Hill takes its name from the Old English for hilltop settlement — *cnaepp* and *tun* — and was already notable enough to earn a Domesday entry. In the Middle Ages it grew into one of Warwickshire's larger settlements on the strength of its status as a chartered market town, and later enjoyed a second life as a canal trading post. Both periods have faded into history, and the village now poses pleasantly atop its five-hundred-foot hill with an old windmill visible on the skyline for miles around. Ed Bishop — the naturalised American actor best known for playing Commander Straker in the 1970s television series

A boggy bridleway after Priors Marston

UFO — is buried in the grounds of its medieval church, having lived in the village for many years. The TV show had captured my imagination as a child, so the connection was poignant.
Other than Napton Hill there was little else of interest along the road apart from a tiny barn conversion, not much larger than a static caravan, where a woman of mature years pottered about in her garden, flanked on all sides by the green expanse of the cow pastures. The tiny building bore the numbers 1891 on one side, built into the brickwork, dating the building if not its tenant. There was also a ramshackle farm towards the end of the road, an untidy place of collapsed roofs and outbuildings overstuffed with carelessly stacked junk. Its forecourt was more like a scrapyard, hosting a larger than usual collection of rusting farm machinery which looked as if it hadn’t moved in years. Once again I was struck with the casual disregard farmers seem to have for their equipment; there must have been a small fortune invested in the rusting hulks sitting in that yard - surely it had some sort of scrap value?
The road ended at the hamlet of Chapel Green, a place I was in and out of in less time than it took to say it, and from there it was a traverse across a hummocky sheep pasture to gain the first canal of the walk. I could make out the line of the canal ahead of me as a number of canal barges were moored up and I could hear the occupants nattering to each other. The canal tow-path ran parallel to the meadow but at a greater height so that the barges appeared to sit on the crest of the field which made the whole scene a little surreal, an effect enhanced by the twisted remains of an electricity pylon I walked past, which put me in mind of a downed Martian tripod from Well's War Of The Worlds.
Lunch came at an old brick bridge on the canal tow-path where I adopted my brother's practice of baring my feet to the air — not a pleasure for passers-by but thoroughly restorative for the wearer. My socks were considerably wetter than expected, the boots having absorbed rather more mud and dew than they should have, which was a sign that after a few hundred miles of service they were beginning to lose their weather resistance. Spare dry socks, retrieved from the pack, solved the immediate problem and improved the afternoon considerably.




On the Oxford Canal ...

I had not gone far on the second half before the Folly Inn, appeared — a solid Georgian building behind a lawn beside the canal. My trousers were caked with dried mud and I had mild reservations about entering a public house in this condition. Then I thought about the cider and went in.
I cracked my head on the low lintel as I walked through the door and swore, loudly, in front of the small lunchtime bar. With the top of my head gently throbbing I took my drink outside to sit by the water and watch the barges drift by. A woman on a moored barge surfaced at intervals to berate a small child who, from what I could observe, was doing nothing wrong. I was moved to note my disapproval via a tweet.
The canal, I discovered when I got home, was the

The Oxford Canal

Oxford Canal, — seventy-eight miles of waterway running from Oxford to Coventry, completing at Hawkesbury Junction, which I had visited during the Centenary Way walk in 2012. Completed in the late 1700s, it was for some decades one of the most profitable transport links in Britain, carrying the majority of commercial traffic between London and the Midlands. Its decline began with the opening of the Grand Union Canal, which offered a more direct route to London and proved commercially catastrophic for the Oxford — sparking a rivalry between the two independently run waterways, some of which I had learned about at Hawkesbury itself, where they met and where the tension between them had periodically boiled over.
Back on the towpath the afternoon settled into a pleasant rhythm. I passed barges whose names offered brief portraits of their owners and purposes:
*Narrow Escape.*
*Country Wines* — a floating wine merchant, apparently.
*So Wye Not?*
And painted, wistfully, in crude whitewash on one shabby hull: *One Day.*
I filmed the *So Wye Not?* as it puttered toward me — a senior couple and a boy I took to be their grandson. They looked faintly self-conscious as I pointed the camera at them but smiled awkwardly, and I waved back. The awkwardness then continued for rather longer than any of us would have preferred, as my walking pace proved to be almost exactly equal to their cruising speed. For a considerable stretch of canal I moved along a yard from their gunwale, privy to their conversation and attempting to look as though I was attending to something else entirely. I stopped for a minute to let them pull ahead. At the very next bend they slowed, and I drew alongside again. We maintained this uncomfortable proximity until I finally left the canal at another pub.



A canal by any other name ...

The Napton Bridge Inn was closed. Probably fortunate, given the cider already in play. I crossed a busy road and set off through sheep pastures and more fields of Stuff, the sun finally committing to the afternoon and making the air warm and close. By the time I reached the farm at the far end I had stripped to the fleece, open and unzipped, deploying the ventilation strategy developed on Day One and confirmed, on this occasion, to be safe from public view.
Stockton came and went — church and pub facing each other across a village green, the streets quiet in the manner of all the villages I had passed through that day.

Long Itchington

As I filmed the final street a ginger and white cat appeared around a corner, drawn by the electronic chirp of the camera starting up. It approached with the alert curiosity of a creature that has investigated a possible food source. Establishing that it was not food, it performed the specific manoeuvre of a cat that has been wrong about something but prefers not to acknowledge it — a smooth pivot into studied nonchalance, a retreat with dignity intact, the demeanour suggesting it had never been fooled at any point.
A muddy woodland track followed. I came across a man with a lawnmower under the eaves of a small spinney. He was mowing the ground underneath the young trees although as far as I could make out it was devoid of grass, or in fact any kind of vegetation. I was too busy trying not to fall on my backside to ponder on this over-much. The woodland brought me, eventually and messily, to the tow-path of another canal. I was not aware at the time that it was a different canal — the Grand Union as it turned out, the Oxford Canal's great rival and the instrument of its commercial destruction. One hundred and thirty-seven miles from London to Birmingham, completed in its current form in 1929 following the amalgamation of several smaller waterways, it managed to turn a profit through the 1930s before the post-war decline that eventually overtook all British canals, and has since enjoyed the same revival that canal enthusiasts have brought to so many of these waterways across the country. I joined it opposite the Blue Lias Inn — Blue Lias stone being a type of rock formation that runs diagonally across England from Dorset to the Yorkshire coast, a deep seam of which passes through the Midlands and has supplied the raw material for a significant proportion of the nation's cement production. It is a name that raises questions and then answers them rather prosaically.
A trendy canalside pub a short distance along had people in clean clothes sitting outside with cold beers, casting judgemental glances at my soiled condition as I walked by. I passed them with the aloof confidence of someone who has earned his mud and knows it.
One last meadow, and then Long Itchington and the end of the day. A village of over two thousand people — large by the standards of the afternoon — named after the River Itchen that runs to its south and west, with a scattering of ancient buildings among the modern housing: the half-timbered Tudor House on the main road was worth stopping for. Queen Elizabeth I is said to have stayed here on a couple of occasions, and St Wulfstan, an eleventh-century Bishop of Worcester, is claimed as a local son, though history maintains these associations with a certain looseness of conviction. I had parked the car somewhere along the high street that morning, choosing a spot in the brief reconnaissance that always precedes the day's walk. I remembered the street but not precisely where on it I had stopped. I turned left out of the churchyard and walked for ten minutes before conceding.
My car was ten yards to the right of the church.
Day two: done.

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